the days go by, part 2

July 2083 - Matthew Watts is 32, Leila is 27, Felicity is 4, Hunter and Flint are 21 months. (Corbin Gray is 32.) Part 2 of 2.

* soundtrack: "Glycerine," by Bush *



Something happened. He knows this because he's known her since she was still just a girl. It isn't because she's become cold, or unaccommodating - she's warm, she's friendly as ever. She doesn't shrug him away. They maintain their routines. In their nights, she climbs into bed after him, when she's stayed up late to finish a few last stitches of some project. She curls up behind him tucking her face into his back as she always has.

It's very subtle, the difference, as far as anyone else might see. But he knows. With the way he used to wake from his early sleep just to hear her voice, lyrical almost, spilling open with the contents of that pretty little head, in a flurry of hopes and dreams.

Lately, she simply says, "I love you, honey," and "Goodnight."



Their daytime exchanges are functional and polite. Did he pick up the milk? Did she send the mortgage check? They exist in the same place like roommates, like best friends, like the life partners they are. Though they used to be much more than this.

He knows this is different. They have three children together, and that's tiresome, but this is more than just tired. This is distant. Now she's somewhere else in her head. Her body is here, but she feels so occupied. He can't remember the last inspired conversation they had - when was the last thing they had to discover about each other?


Things are calmer around the house than they have been. He planted a smaller crop this year, and they have Liza helping out during her school summer break. They've hired her as a mother's helper, a part-time nanny. She's been helping out for years now and the kids adore her. Leila wouldn't be able to do what she does at the shop without her help.

"Hey Mrs. Watts," Liza says. "This one smells kind of funky, but the other two are napping. You guys can go take a walk, or something, if you want."


They haven't been out on a walk together, without pushing a stroller, without little legs toddling behind, for nearly five years.


She's quiet, her gaze wandering off across the field as they walk alongside each other. He wants to ask how she is. The question seems so ridiculous he doesn't even ask it. She's his wife, he should know how she is. But all he knows is that she's off, she's been off, and he doesn't know why.

Before they make it very far out from the house, her phone rings. She stops. "It might be Charlotte," she says, and she answers it.


It's not Charlotte though, from the conversation he knows it's Liza's mom.

"We'll have her stay for dinner if that's okay," Leila says. "I'll drive her back later."

There's more connection in her random phone calls than he feels between them most days.


All couples get stuck in ruts sometimes, but he hasn't forgotten how happy they were.

He was never a match for her, in passion, or in spirit, but she always seemed to like it that way, having that power in their relationship. He was the simple one, while she spouted fire. She brought passion and excitement to his life, and he gave her a soft and steady place to land. It seemed like a happy balance. More than balance, they seemed to compliment each other perfectly.

He can't be something he's not, if that's what she wants now.


He laces his fingers through hers. He's quiet, he's simple, he's stable. Traditional might have been enough when they were young, but he wonders if she might have outgrown it now.


Only she can say why she fell in love with him in the first place, and only she can tell him what she's missing now. Only she knows if there's anything left to salvage. Maybe it's not gone, but just buried, underneath three children and almost ten years of marriage.


Maybe she's not really gone, but just hypnotized.

But only she can answer all of these questions. And she could be anywhere. He wishes he knew how to snap her out of this trance and bring her back to him.

***


Felicity finds him fishing after dinner one night. "Daddy, are you mad?"

"No, I'm not mad."

His crop of farm-raised fish is plentiful this year, and fishing them out is something he has plenty of time to do. Leila used to help him with this, before the kids were born. Now Felicity is eager to try it out. She's eyeing up the fishing pole, and she's been asking for her own all year. "Can I try?"

"No, you're too little."

"I'm bigger than Hunter and Flint."

"You need to get a little bigger still," he says.


He puts down the pole and they sit by the water, watching the fish make ripples in the surface. "You look mad, Daddy," she says.

He doesn't know how to explain to her the difference between mad and sad. "Things are a little more complicated when you grow up," he says. "I think everybody is still friends though."


"Connor's mom was mad at his dad, and they got a new SSX3, because his parents almost got divorced."

"Who said anything about divorce? How do you know that word, did your mom say it?"

"No," she says. "Connor told me."

The word sits hard in his gut. It's crossed his mind before, with the new shop she and Charlotte just started, she's giving herself options, a way to support herself if she wanted to leave, an exit strategy. Is that what this is? "Nobody's getting divorced," he says.

"Can we still have a SSX3?"

"No," he says. He sends her in to bed.


Leila finds him later, still fishing in the dark. "The kids are in bed."

"Uh huh," he says.

"You want some help?"

"Sure, if you want."


She picks up the extra fishing pole, always there, just in case she wants to join him. They used to do this together, before the kids were born, fishing late into the summer evenings.

Their marriage has been filled with summertimes, all the way back to their very first - she was working in a clothing store, and he was delivering tomatoes to the restaurant across the street. When he saw her, he was so captivated by her deep brown eyes that he stood stunned in the middle of the road, downtown Lakeside Circle. It should have been her stopping traffic, but instead, it was him, literally, standing in the middle of the street. When a car finally honked, he tripped, and dropped the crate of tomatoes he was holding, scattering them across the pavement. She laughed at him. And then she wrote her phone number on his arm with a black shop marker.

He finally asks her then, as ridiculous a question as it might be, "So, how are you?"

"Fine," she says. "Tired, my feet hurt. I think we've got plenty of money for now."

"That's not what I mean," he says.

She puts down her fishing pole. She takes his too, setting it on the grass beside the other. "What do you mean?"


"I feel like you're mad at me," he says.

"I'm not," she says, crossing her arms, guarded over her chest. "Not at all."

"Okay," he says.

"It's the summertime," she says, clutching her arms tighter as it starts to rain. "We're always busier in the summers. The new shop, and Charlotte's about to have the babies. I have a lot on my mind. I'm not mad."


He sighs, wishing she would be mad, that he threw his dirty field clothes on the bed, that he walked through the house in his boots, that he put the milk carton back empty, anything. He would be overjoyed that she was mad at him, so that it wouldn't be something else instead.

"Of course," he says.

"I'm going inside," she says. "It's raining. Are you coming?"

He shakes his head.


He meant to plant a lighter crop this year, but all he gains from it is this extra time to watch his marriage fall apart. He wanders to his fields in the warm July downpour. It might be too late to start things new by this time of the summer, but he tries anyway. He churns the ground and drops seeds into the moist soil, desperate to make something, anything, start to grow.

***


That night - it happened. It happened, and then it was over, except that it wasn't. Whatever happened was too much to be nothing, just one hour and twenty-five minutes, but strong enough to come back in echoes so that it's still happening to them all, haunting them over and over again.

Corbin saw the review in the newspaper, "Best New Business of 2083" and he saw her picture there with Charlotte. He's hungry, and wouldn't mind some pie, even if it's thirty-five minutes from the city. He remembers what she said, but he makes this decision because he just has to know.


She's working alone. She's floored when she sees him. She's flattened. And at the same time, she's simply relieved. After the shock wears off, the illusion breaks, and up lifts five months worth of the sheer exhaustion of keeping it all so very carefully assembled.

"I know you said you couldn't see me again," he says, coming closer. "But I just had to ask you one thing. I had to know if it was what I thought it was."


She's still barely able to move, to even nod her head, but she says, softly, "Yes."

"I feel like I need to know you."

She points to the bar stool at the counter. "Sit down."


She brings him a slice of pie. There are unspoken boundaries from the start, but his eyes on her cheeks are as wanted as any touch. Her hair falls across her shoulder and he breathes in the scent of her shampoo. She'd be fooling herself if she thought this could be the average ordinary friendship. She doesn't know what this is, but she treads toward it carefully.


She slides onto the stool beside him. He wanted to talk, but their calm silence is no match for the static tension of their not talking, no match for the tattletale chirping of crickets outside on wholesome country streets. Two people, sitting in a pie shop and not eating the pie.

She asks him, "What do you want to know?"

"Everything," he says.



*******


(footnotes: Leila met Corbin // her life was already a mess // the dreams // Charlotte's pie shop)

notes: so this is the culmination of both Leila and Corbin, with their ever-present best friends want. His was more consistent than hers though, so I figured he would go to her first. And that in itself is pretty significant, since Corbin rarely rolls wants for any girl specifically. (Though he's also taken to worrying about Amelia lately. I might imagine she's been talking to him about the whole Drew and Jodie thing. Funny how much you can read into these Sim wants and fears, lol!)

In gameplay even, Matt and Leila are stuck in a serious rut. She was thinking (thought bubbles) a lot about him, and I do feel her being very cautious about this. But unfortunately, neither of them were rolling any romantic wants for each other. I even sent them on a date and this is what I got:


She called him boring! OMG, first I laughed! (And does she always roll up the most appropriate bubbles, or what? lol!) But then I realized how sad it was. On a date, and they didn't want to do anything but joke and tickle. On a date! Romantic wants are usually a sure thing on dates!!!

I know she and Corbin are insane chemistry and all, but she and Matt are 192 too, so there's really no reason for this nonsense!


She and Corbin have fallen in love, by the way, in case that wasn't already apparent. They haven't done anything but talk so far, but I let them have a "charm" because they both wanted to flirt with each other.

Read more...

the days go by, part 1

July 2083 - Matthew Watts is 32, Leila is 27, Felicity is 4, Hunter and Flint are 21 months. (Corbin Gray is 32.) Part 1 of 2.

* soundtrack: "Glycerine," by Bush *


Each morning, she starts with these dreams, so perfectly clear and tangible that they blend seamlessly into that one strange night she met him. So real that she's convinced that night wasn't even real. Maybe it was a dream all along, because she hardly knows him except in these dreams, which are vivid as memories of a past life. Or a future one.

Something happened five months ago. She didn't ask for it, and she didn't want it. She doesn't welcome these crystal clear visions of a stranger, thrust into her life which is already on the edge of shambles as it is. She doesn't want to be thinking about this other man, as she lies here every morning listening to her husband's heartbeat.



But the the dream is broken by the dual screeching of their twin toddlers on the baby monitors.

"I need to pee," she says. "Do you need to pee more?"

"No," Matt says. "You go first."

Welcome to her real life.


She asked Charlotte once, does he really exist? Did that really happen?

He does exist, and yes, they did meet, one night, one hour and twenty-five minutes. That's all it was. She's met strangers at the market that she knew for longer than one hour and twenty-five minutes, and none of them ever made an impact like this.


Leila's real life this summer consists of the grand opening of Pies 'n Potholders. Charlotte fronted the money for it, early in her pregnancy, not knowing that her sixteen week ultrasound would show a huge surprise - twins!

Now Charlotte can barely move, lucky to bake enough pies to keep this popular little pie shop afloat. So she bakes, and then rests, while Leila manages everything else.

It's for the best, Leila thinks. It's only logical. If your mind is filled with strange and confusing thoughts, you just steer your mind elsewhere. It occupies her. It reminds her what a real life is supposed to look like.


The shop is doing really well, better than they expected, and they can hardly even keep the shelves stocked. That isn't always a good thing, when the customers come here looking for that very particular strawberry cheesecake, and there's nothing left to sell. Charlotte can't bake them fast enough, not in her condition, and they can't afford to hire help yet. Their husbands are already busy with their own work, but Paul comes in to help out with the restocking when he has some time, and Matt delivers freshly picked fruit from his market. And that's the best they can do.

But even despite the disappointed customers - because Charlotte's strawberry cheesecake is to die for - they still manage to win an award for the Best New Business of 2083, and a stellar review in the newspaper too.


And this very carefully assembled distraction seems to be working. It's stable. She's doing perfectly okay, if you want to pretend that actively not thinking about him, for every moment of her day, is doing okay. If so, then she is. She's making it work.


At least here when it slips, when the thoughts come back to her, it's better to be a fraud while sewing potholders. Better than being a fraud at home, with her family, with her husband, thinking about this other man and that night that happened, but didn't, but still left marks in such an unbelievable way.

***


There must be a reason for the way he is, the way he's been his whole life, so fleeting, and so transient. He thinks he knows why now. His whole life he's been waiting to meet her, and his traveling the world was his searching. Then he ended up here, and he found her. It happened. And then it was over just as fast.

His whole life for a few short minutes. And that's it, it's over.


Even the usual pleasures of a pretty stranger are dulled. Because this girl, beautiful as she might be, is no match for the girl he met five months ago. No girl he's ever met, or will ever meet, could possibly match her, not just in beauty, but in her soul, and what seemed the perfect match to his own.

She's never far from his mind, even if he can manage to immerse himself in the mundane moments of a day, it doesn't last for long.


No matter how he tries to distract himself, or with whom.


But he'll take the distractions, when they come. The distractions are working, if you want to pretend that searching for pieces of her in every woman he meets is working. If so, then it is. He's holding steady for the moment.


Because when those moments are over, she comes right back to him. He's left to wonder where she is, or what she's doing. He's left trying to piece together the image of her bright smile, or her deep espresso brown eyes. He never even kissed her, so he's only left to imagine what her lips might taste like.

But most of all, he's left trying to make sense of it. How can his entire life exist for only that short beautiful time? How can that hour and twenty-five minutes be the only time his heart will feel at home?


*** to be continued ***


(footnotes: Leila met Corbin // her life was already a mess // the dreams // Charlotte's pie shop)

notes: I really didn't intend this to be in two parts, but it really got a bit long in its entirety. And there wasn't even really a natural place to break it,
so this ends up more an intro to the coming second part. Ah well, it is what it is... I've nearly got the kinks worked out of the second half though, and it should follow pretty quickly.

So OMG, when did Charlotte's pregnancy turn into twins??? I swear I checked her before. All those pies she's been baking, and she must have snuck a bite of cheesecake or something! Adam and Heather are having twins in September too! What am I going to do with all these kids?


And OMG#2 (!!!), what the crap! Upon playing Charlotte's new shop, my game spawned 15 new townie-shoppers - all looking like AL groupie people. Anyways, I'm sure I have plenty of townies/dormies/downtownies/etc available for shoppers (and I believe I have all of the no-respawning mods, unless there is a separate one for AL townies?), so I have no idea why that happened. I haven't added anything new or changed anything either :/

Grrr, like my game needs any more character files!

So both of these parts will focus mostly around the grown-ups. The twins are there being almost two year-olds - Hunter gets one picture in the second part, and you won't even see poor Flint at all, lol!


And Felicity has taken to running through apple trees with little Connor McCullough. She's had her eye on him ever since the first day of preschool, lol! I wonder if she's glad she finally caught him? ;)

Read more...

jodie fails, revisited

Gameplay notes for: June 2083, "likely to fail" - a bit of a "making of" post, so read the actual story first.


We'll start with the gameplay tidbit that inspired the first scene. Jodie and Drew really are good friends, apparently. Amelia (and I) had quite the shocker once when Amelia invited Drew over to her parents' place, and he brought Jodie along! It was like they'd just been hanging out all day.

And doesn't he just look like he knows he's in trouble? lol!



But I don't think he actually has any clue what's going on with Jodie. He really is just that nice to everyone.

Jodie on the other hand, likes to gossip constantly about the marriage she says she didn't help break up ;)


And she was just... picking some lint off his shirt?

This is a tricky situation though, because this is one of those cases where when Berjes is not around, he loses his romance bonus for her, and drops to her #2, pushing Drew up to #1. Then her ACR "one Sim" changes and she ends up hitting on Drew right in front of Amelia, lol! (At least, it kept changing up until the events of the second half of the story - she and Berjes have love flags now, so that might be more stable from now on.)

All their precise attraction scores are in the notes of this post, if you're curious.


Regardless though, Drew consistently likes Amelia more. And Jodie just watches them, a proper third-wheel, looking all pained.

She does still very occasionally roll romantic wants for Drew, but he doesn't roll anything but wants for Amelia.

So Jodie's attraction to Berjes is higher when they're together, but her attraction to Drew is much more stable, since there's no romance bonus involved. So it's like she forgets how much she really likes Berjes until she sees him - but then, once she's out of range of that physical attraction, she forgets it. Hmmm, what shall we make of that?


So Jodie really does have a pretty hardcore crush on Drew - for the story though, I didn't figure she'd complain about their kissing in front of her so boldly, lol!


And can we just have a moment of awww for that kiss? :)

That was so much fun to make (as unpleasant as it was for Jodie to watch). They're both using face overlays, and he's getting up from the sitting pose.

So now on to Berjes...


Jodie and Berjes both wanted to fall in love, and they've been headed that way (or something like love) for a little while. They were already friends and coworkers, so let's just call it a very complicated and bitter love. Nothing but the most complicated for our dear Jodie, lol!


And then they always roll this kind of stuff right after they've fallen in love, and especially when they're on dates. But can we just state, these two particular people have NO BUSINESS thinking such CRAZY thoughts right now!


So they had their moment, and then for gameplay purposes, I wanted to have her piss him off. (I'm using Squinge's fight anyone anytime hack.) Their conversation happened all on storytelling level, but I wanted to reflect the conflict in the game, so I had her shove him. Their relationship was docked slightly, and now he's furious at her, but without any fight memories.

I didn't figure she would be furious at him though - she's just sad, more than anything - so I didn't have him reciprocate. Not this time. Who knows how they might piss each other off in the future, lol!


Maybe she enjoyed that a little too much, lol!

Read more...

likely to fail

June 2083 - Jodie Larson and Amelia Bradshaw are 27, Drew Bruty is 26, Berjes Monif is 37.

*note: NSFW/children ;) *


It was Drew's idea, actually, that he might help out. He knows so many people, surely there must be someone he can hook her up with. He's a trust-fund baby, he's a professional socialite, meeting and greeting is what he does.

"Don't bother," she says as he scans through names and phone numbers in the paper. "I called them all already."

She's had absolutely no luck on the roommate search so far. She's way too picky - they have to be clean, tolerable, smart, responsible, not too old, not too young, not male, no dogs, no fish - fish are disgusting creatures! Not too sweet, not boring, not too pretty-pretty. Ugly is okay. They can be ugly if they want. It only makes her feel cuter.



"No problem," he says, with that smile. She never liked a smile on a man before she saw it on him, all toothy and nice. Sitting next to him, she can smell his cologne, which is pleasant, but not too strong. It's so different from most of the men she runs into, doctors and surgeons, who smell sterile, like surgical soap and clean linens.

But Drew smiles at everyone like that, and no, that's not just in her head. It's true. He's just that nice. She can't remember a man ever being this nice to her, who continued to be nice to her, and (unfortunately, she thinks in this case) not even because he wanted to get into her pants.

"I'm sure I know someone," he says.


So he gets on his cell phone, breezing through numbers, and he calls one. Then another, and another, all girls since that was what she asked for. All girls who must have unbelievable crushes on him, like she does.


One of those girls is Amelia, of course, who has her own unbelievable crush on him. Jodie knows just the second they connect, because he goes all starry-eyed. "Come on over," he says into the phone, and then he turns to Jodie. "You don't mind if Melie comes."

It wasn't exactly a question, in any form, but she answers anyway. "Of course not, I don't mind, why would I mind?"

Lunch for three.


Jodie is a doctor. She's very busy, she doesn't even have time to find her own roommate much less make a fancy lunch. But she whips up some grilled cheese sandwiches while they discuss these very precise women he lined up for her, all grown, between the ages of 25 and 40, childless and petless, employed and not too pretty.

Amelia doesn't talk the whole time they're eating, as Jodie rambles off the faults of one girl, after another, after another. Amelia's hand just lingers there, almost touching her sandwich, but not.


When they've discussed each of the prospective roommates, Drew strokes Amelia's hand and asks, "You wanna ride back to the city together?"

"I've got something to pick up at the mall," she says. "I'll catch up with you later."

"Okay," he says.


He bends down to kiss her goodbye. It's not even a very long kiss, and certainly not pornographic, but Jodie can't bear to watch it. A simple kiss goodbye, impossibly deep without even the hint of open lips or tongues. She doesn't even know what part she's jealous of, she just knows she lacks.


Jodie is still stunned from this kiss, and the door has barely even closed behind Drew as he leaves, when Amelia erupts into a panic. "You hang out with Drew? When did you start hanging out with Drew? What, are you guys are friends or something? I didn't know you were friends. When did you guys become friends?"


Jodie tries to laugh it off, but Amelia isn't laughing. "Sure," she says. "We were friends back when you guys were still friends, you know, before you had sex with each other?"

"Oh," Amelia says.

Jodie dismisses the minor meltdown, and begins to scan the list of faceless women in her head. "So Emmy seems decent," she says. "But Drew said she was pretty though. I don't know about that... But Jessie, no way, she's a DJ - that's not going to work. I can't live with a DJ."

"Do you guys talk about me?" Amelia asks.

"Ummm, not usually," Jodie says. "And this one, Holly, she's a scholar, divorced, but she has a kid. Lives with the dad though, but what if she wants to visit?"

Amelia isn't listening.


"You don't talk about me? What does that mean? What do you talk about then?"

"Stuff, Amelia! We talk about stuff!"

Amelia stops.


"So I have my brother's wedding," Jodie says.

"Hmmm," Amelia says, tapping her fingertips on the table.

"She's not that pretty, you know, Lynn."

"Hmmm," Amelia says.

She doesn't care about that anymore, Jason, the break-up. She's long over it, and worrying about newer cataclysmic information.


Jodie stops talking, since Amelia is about as reciprocal as talking to a wall right now.

She isn't sure if it was even real, but she remembers this moment, just a sliver of a moment, when she thought Drew might have actually been interested.

She wouldn't even think that out loud - it sounds just ridiculous even in her thoughts. In her? No, probably not, it's probably all in her mind. That sliver of a fraction of a moment when Amelia was still an impossibility to him. One single night, in a bar, with smoke on their clothes and neon lights in their eyes. One single fraction of a moment when he might have considered her an option.

And then there was this future that might have existed, spawned off of that fraction of a moment. A man like him, sensitive and tender, he would want a wedding probably, as much as he likes them, maybe even a family - children, in the plural. Her brain went there, spawned off that moment (she scowled at it), but for a moment, she allowed that possibility to enter into existence.

But enough of this awkwardness, so Jodie makes a joke. "So, you mind if I borrow him for this wedding? You know how he likes them."


Amelia isn't amused. She looks either drugged or ready to cry, and Jodie can't be sure which. She says, "Why don't you take Berjes?"

"Can you ask a divorced person to a wedding? Isn't that bad luck or something?"

Amelia doesn't answer, but just stares, her eyes are probing and intrusive. Jodie isn't sure she's buried her secrets deeply enough.

***


It worked. Berjes was available after all. He was, in fact, very eager to hear from her, as uneager as he then seemed in person. He said he had something he wanted to discuss with her, though he didn't mention much of anything at all on the three-hour drive to Abandia City.

He's become a bitter person in these months since his divorce. She refuses to take any responsibility for that, for the record. His marriage was a disaster before she ever came into the picture.


She leaves Berjes at the door while she greets her brother.

"Are you seeing someone?" he asks, his voice entirely too optimistic.

"No," she says. "No, absolutely not. He's just a coworker."


Jason introduces himself, since Jodie wasn't sure yet if she was going to.


They have an afternoon to kill before the wedding.

"I've never been here before," Berjes says, scanning the hotel restaurant. He means the town, not the hotel specifically.

"Oh, it's a hole really," Jodie says. "Lord knows why he wanted to move here."


"Shouldn't you talk about your child or something?"

"Hazel," he starts. "She's good."

But Jodie gets much more than she bargained for, as he goes on about Hazel, and his ex-wife, and their house, which was worth more than the equity he was granted from it. And about visitations and lawyers and bitterness, going on almost solidly until their food comes.


And then he goes on further, into their meal, to the point she imagines even the creepy statue behind him has become bored. She wonders what more he could possibly have to say about it, or if he'll still be talking about it when the wedding starts later that evening.

***


This is so foreign. Jodie Larson has never been in love, that she knew of, and she figures it's something you'd probably know. She never met anybody she wanted to marry, never even had a date to the prom. She can hardly walk in these heels, and she's not in the habit of being gawked at by hotel staff.


Or in the habit of being gawked at by her dates, what few dates she has.

"Well, come on then," she says to Berjes as she strides by him. "My brother's been dying to get married for a long time."


After a fairly short courtship, Jason Larson and Lynn Louis were married at sundown in Abandia City. They both look forward to starting a family soon.


Jodie does her very best not to scowl at the happy couple.


With romantic music burning her ears, and wedding flowers irritating her allergies, Jodie agrees to a dance. Berjes insists that since she brought him all the way out here, she at least owes him one dance.

"I'd do it again, I think," Berjes says. "Some day."


"Get married?" she says. "You know they say the second is more likely to fail than the first?"

He laughs. "You're a ball of sunshine, Ms. Jodie Larson, you know that?"

"Well," she says. "We can't all walk around with our heads in the clouds."


But after four glasses of wine, Jodie's head is positively in the clouds. She owed him one dance, but she gave him a few. She's forgotten just how handsome he is, despite the obvious mess he's made of his life, and despite the quiet distance he maintains. She always forgets this pull until she's near him again. It hasn't dulled in these years. The attraction holds its substance, even though she's not an eager young med-student anymore.

She forgets that he always seems to pull back. That's not just in her head. Even when she's wearing birthing scrubs, which is far more often than a gown and heels.


They got separate rooms. Jodie is not in the habit of assuming things. First, because he's her boss. Any time they've blurred those lines before has only been in fun. And second, because he's a pathetic, wreck of a man, even if a handsome one. And third, because she hasn't been wanted for a very long time.

"Thanks for coming," she says. "It's not the kind of thing you want to come alone to. I know it was a long way. Didn't you want to talk about something?"

"I forgot," he says.


He kisses her. And if it's been so long since she kissed someone that she's become rusty, he's thankfully too drunk to notice it. Or maybe they're both too deprived of it to care, two romantic outcasts, fumbling around in the bright lights of the hotel hallway until they finally stumble into her room.


He pauses, sliding a hand along her back. "Your skin," he says. "It's freezing."

"Bad circulation," she says. "It's not an uncommon condition. I'm taking medication for it."


But the chill of her skin doesn't break his attention. He moves her to the bed, stripping off their layers as he goes. This, like the gown and heels, is just as foreign to her. Has Jodie Larson ever been romanced before? Has she ever been made love to? She's certainly gotten her rocks off, with some college fling, or drunken casual encounter, or arranged mutual pleasure buddy. But Jodie Larson is 27 years old and has never made love.

She's out of her element entirely, and she feels like a blinded frog in the road.


He takes off her final layer, holds her in his arms, stripped down to nothing. He says, "Relax."

So she does. She tries. She might have cold skin, but her blood is 98.6 degrees, and her heart still pumps, and she hasn't been touched in so long she even forgets she's still a woman.


Because she is, and not just an approximation of a woman, but a real, actual woman, who hasn't been made to feel like a woman for a really, really long time. And as she suspected, the very thing that led him to fail as a husband, only makes him succeed as a lover.


A really fantastic lover, which he proves to her, once. And again.

And then a third time.


"This is going to be weird at work," she says.

"It doesn't have to be," he says. "It could be really fun."


"Oh, that reminds me," he says. "The election this fall, you weren't really serious about running for it, were you?"

He's waiting for a response, but she doesn't know what to say.


"I mean, my job, the hospital, it's all I have. It's what I do, and I'm good at it. I love it, and I already lost my family over it."

He just looks at her all desperate, reminding her of the wreck of a man he really is. She honestly does feel very badly for him, as deeply as she's felt for almost anyone.

"That's very compelling," she says. "But I do want the job."

More than anything, she does.


He lets go of her then, moves across the bed and gets up.

Jodie is once again, an ignorant frog in overwhelming headlights. Wrong answer, Jodie, she's telling herself. Wrong fucking answer.


He dresses quickly, not even bothering to button his shirt. "Where are you going?"

"Home," he says.

"It's two in the morning."

"I'm not tired," he says.

"We're three hours away, we drove together."

"I'll get a rental," he says.

She's searching for something inside her, some venom to spew before the door closes behind him. Something hard, something cutting.


But there's nothing like that. Surprisingly, there's only disappointment, spilled out and laid wide open.


*******


(footnotes: Jodie's roommates moved out // Jodie likes Drew too // Amelia and Drew, all in love 'n stuff // Berjes got divorced, and it was a little bit Jodie's fault)

notes: both Berjes and Jodie have the "Chief of Staff" LTW, by the way. Neither of them are actually there yet, and it isn't even necessarily required for the Head of Health Services position, but I imagine it's what drives them.

And oops, lol, Berjes came into her room wearing a suit, and left wearing his jeans and shirt! Duh! My bad! Ignore that please!

Behind the scenes and gameplay notes in a separate post :)

Read more...

Lakeside Heights, street view


(a bus stop and depot in the Lakeside Heights city center.)

In honor of this week's craziness, not only Thanksgiving, but my hubby's birthday too, I'll offer you something quick and relatively painless (for me).

I took a couple of these shots when I was putting together my new marina, but then I found I couldn't stop, lol! The camera mods I'm using allow for some very interesting angles and viewpoints. Some of these shots you wouldn't get to see from any of the houses or community lots my Sims frequent. It's been a really fun project, all the in-between places you might see if you were a Sim, walking in Lakeside Heights, from one place to another :)

This also shows you the neighborhood in long-range shots that I can't normally show you because my computer is so old and fickle. I've got it so packed full I can barely take shots on Medium view without my graphics card crashing.

So...


Lakeside Heights:


The marina again. You might have seen this before, but I wanted to have it again in one of my sidebar posts. I took these pictures before I found the new boat recolors! Because yay boats! I might have to add a few more docks to the marina for more boats!!! :)


This is Lakeshore Road, with the Lakeshore Beach boardwalk along the left. On the right are the Deppiesse (Orion) and Riley-Kim families. Cabe Deppiesse's family is a little further down on the left.


These are the arches that mark the entryway to the city center. In the middle of the city is a really cool shopping mall that I built, that you guys never get to see because it's too big for my computer to handle, lol! Ah, well, rest assured, my Sims have a mall.


An overview of the city center. Lakeside Heights, even though it is quite suburban, does actually qualify for city-status because of its population.


Another bus stop, just outside the market square. I still need to add bus stops to Lake City and Bluewater Township. This is a bit of a work in progress. And after seeing Carla's hella cool airport, I think I might need one of those too! :)


These are the apartments where Jodie is currently living. The smallish office building on the right is Berjes's cosmetic surgery office. Next to that, you can see part of the open market square. Most of the buildings in Lakeside Heights I made myself, but the glassy building behind those apartments is the library, which I downloaded ages ago, by phazetex.


This is Brant Street, and the foundation of my most popular neighborhood in Lakeside Heights. On the left are the Thompson and Lind families, and on the right are the Jackson and Roseland families. Just out of sight of this picture are the Phoenix (Hayden), Nova-Day, Buchanan, and Centowski families.

Bluewater Township:


This is Main Street in Bluewater Township - I modeled this town after a lot of the charming little country towns in Michigan, where I grew up, with the one single Main Street strip, a bank, a market, and that's about it, lol!

Summer's Place is there on the left, and Charlotte and Leila's new pie shop will be at the far end. Chad's Gamer's Den is on the right.


This is the flip side view of Main Street. I wish you could see the cars driving by from lot view. That's one of the things I look forward to in Sims 3, the feeling that the whole neighborhood is inhabited at once. I'd love to be able to look down Main Street and see people walking up and down, from shop to shop.

Custom neighborhood creation is quite obviously one of the "dealbreaker" things I'm waiting for with Sims 3 ;)


There is a big sprawling residential area in Bluewater Township, rather than any defined neighborhoods like my other towns have. Charlotte and Paul are here on the left, and across the street are the Leila and Matt, and their Watts Family Farm.


A long shot of the road where the McCullough family live, with the Hathe family at the far end. There are only four playable families living in Bluewater Township.


This is "the field" where the kids hang out sometimes. It looks much better from lot view. The church is across the street, and out of view to the right is the Watts Family Farm Market.


And here is the two-building complex that makes up Fort Bluewater. On the hill is an on-base residence, where Alon Hutchins will be living after they return. And below are the recruiting offices and other military resources.

Lake City:

Lake City is really hard to get pictures of, but I managed a couple before my graphics card crashed.


This cross-city shot of Lake City is a complete fluke, and might be the only one you'll ever see, lol! I can't usually point the camera across the city like this without my graphics card freezing up and crashing to hell (as you'll see below), so revel in it, enjoy it while you can. The area towards the bottom of the picture is mostly commercial, while the popular residential areas are toward the top - you can see all the plumbbobs ;)


Long view of Washington Avenue, from the west. (Named Washington Avenue, by the way, because all cities in the Great Lakes area, or maybe even everywhere in the US, have a Washington Avenue in their downtown, lol!)

This is the West Washington neighborhood, and the most popular residential area in Lake City. On the left is where Bella and Cameron live - on the right are the Phoenix (Jack), Nova (Patrick), and Miller families. That row extends around the corner as well, where Amelia lives. The tallest building on the right is the Loft Apartments, where Drew and Corbin are currently living, and the second tallest next to it is the Riley Estates Company building.


Also Washington Avenue, but from the east, on the LCU campus. On the left is the sports facility, the library, and Frosh Hall. On the right is the pub, and the Offices for Study Abroad.


This is a shot from my south end. I love my south end, even though I don't have many Sims bad off enough to live there. Maybe more after the next round of taxes, lol!


I don't know why I love it so much, with its smokestacks and cooling towers, and trashy alleys with busted cars on cinder blocks, it kind of reminds me of Detroit, lol!

Ah, home sweet home :)

*******

So anyway, I may edit this post in the future with any new developments on the "street view" level. I'm looking forward to adding bus stops and depots to Lake City, and an airport is looking likely in the future as well.

Oh, and by the way, Madison wants credit for all these Community Enrichment Projects when you all vote in the coming elections ;)


And photographic evidence that Lake City crashes my graphic card all to hell! Whenever I play Lake City, I can't linger on the neighborhood screen for very long before things start to freeze up. This degree of nonsense only happens when I try to point the camera across the city and move it around though (which I try not to do except for projects like this one), so it's not usually this bad. The grass will all just turn flat green and the buildings get all fuzzy.

(But the Harris and Shaw families can rest assured that their cars still look okay? lol!)

Read more...

first, part 2

June 2083 - Ashlee Deppiesse is 43, Natalia is 13. (Charlie Roseland and Hazel Monif are 13, Fiona McCullough is 15.) Last update, February 2082.


It's probably much too soon for her mother to feel lonely. It's only been three weeks since they left. Instead, she just keeps herself busy here at the restaurant, which means Natty is kept occupied as well. It isn't that she minds spending time with her mother, if she were actually spending time with her, except that her mother is working, talking, selling, and Natty is left watching old cable reruns.

Which is better than washing dishes. Because she has that option too, her mother would say, if she wants to complain of being bored.



Natty is turning fourteen this summer, which is plenty old enough to be on her own. Or she could have taken that summer job at the retirement home. But her mother says she's too young to hold a job yet, (though at the same time, she seems to have no problem asking her to stir the cream of celery soup, since she's here anyway.)

But her mother insists that bad things happen to kids left alone for so many hours in a day. She didn't have to say what she really meant - that Natty has a boyfriend now, and that it's summer break, and he lives just three blocks away.


At home, her mother asks her to play the piano, more often than Natty prefers to play herself. She's been practicing since she was six, but it doesn't come as naturally as other things, math and science. She's more technically minded, but she'll play for her mother. The piano lessons helped show off what a wonderful and well-rounded girl she is, and got her into the Lake County Honors Program, which she'll start this fall.


Her mother rarely wants to cook in the evenings, after cooking all day long at the bistro. "That smells lovely, honey," Ashlee says.

"It's just spaghetti, Mom," Natty says. "Are you hungry?"

"Oh, I guess I am." She's keeping herself so busy she even forgets to eat sometimes.


"You should take the day off tomorrow," Natty says. "We'll invite everybody over, Aunt Vi and the twins." Natty knows what her mother is really afraid of, the quiet. It reminds them both that he isn't here anymore.

"What about school?"

"Mom," Natty says. "It's June."

"Oh, of course it is."


It's the quiet that echoes through every ordinary moment of their days. It hasn't been long yet, not even a month. Natty used to watch her parents build these sandcastles together, here on the beach. She'd be doing her homework, or talking on the phone in her bedroom, and here they would be on the sand, digging and building. Then sitting down beside it to watch the waves together. Now her mother does this alone, every night, digging in the sand, like momentum, like she didn't know what should come next.


Natty doesn't know either, so she just kneels down beside her, and helps her build.

***

The next day, Natty gets her beach party. Her mother relents and takes the day off herself, handing over full reign of the restaurant to her staff. She even invites some of her own friends over to read books and drink iced tea in the sun room, while the kids run havoc on the sand.

The water is chilly still, but Charlie dives head first off the steep shore while the girls hold steady on the beach, keeping their hair dry and their tans baking.

They have more important matters to discuss than splashing around in the water, like the exact specifications of a first kiss. How long did it last? How much tongue?


"None," Natty says, and adds, "Eeew!"

"Yeah, I thought that was weird," Hazel says, remembering her own first kiss with Angelo Shaw. "I felt like I was at the dentist or something." She looks around. "Hey, weren't more people coming?"


"My cousins are here," Natty says. "They're right behind you."

Hazel looks behind her and starts to laugh. "Oh, I didn't see them there, they kind of blend into the sand."


"There's another person for you," Natty says.

"Did you invite him?"

"No, I guess Charlie did."

"He's so weird," Hazel says. "He keeps staring at me, but he never says anything."

"He probably can't say anything, because you never stop saying things."


As quietly as Isaiah slipped past them, he slips out of his clothes, stacking them neatly on the sand, and wades out into the water.

"He's so weird," Hazel says. "Boys are just weird. All of them."


It was Natty's mother who invited Aunt Brooke, who brought along Fiona and Robbie, who of course, come along with Liza Hathe.

"I hate that girl," Charlie says.


"Nobody likes you," Hazel says. "But you're still here."

"Natty likes me," he says.

Natty considers her boyfriend for a moment. Sure, she likes him, but he's being kind of a dork right now.

Hazel looks over Charlie's shoulder, muttering beneath her breath, "Good God, what is she wearing?"


They all turn around. Fiona has stripped down into her bathing suit, slowly approaching them.

"Or not wearing," Natty adds quietly.

Charlie doesn't say anything, but just grins, without blinking.

"Go on and drool," Hazel says. "You know you want to."


Fiona slides a finger along the thin strap of fabric on her hip. "You like it? This old thing?" She looks straight at Charlie then, pointing her finger into his chest. "You should see the one I wear when my mom's not around."

Then she actually, truly, winks at him.

They're all stunned. Even Charlie, who finally manages to blink. They don't know what that was about, but Fiona doesn't explain. She just slips by them and slides into the water, slow and perfect as a snake.


Natty and Charlie disperse to the kitchen to make some lunch, and somehow, every time Hazel turns around, there's Isaiah again, quiet as if he's waiting for something, or watching her. "What?" she says, her annoyance coming out sharp. "What do you want?"

"Oh," he says. "It's nothing. Ummm, lunch."


They have hot dogs for lunch. Charlie was so eager to make real hot dogs on the grill, he forgot he didn't actually know how to use a grill and burned them. "How about a peace treaty," he says to Hazel. "You know, Natty's best friend, Natty's boyfriend, shouldn't we call a truce?"

"I don't know," Hazel says.

Natty just fawns over the fact that he just called himself her boyfriend.


Isaiah didn't seem to want anything to eat, but just sat down across from Hazel, watching her, not really adding anything to the conversation. Hazel announces finally, hoping he'll take a hint from it, "I have a sort of boyfriend in the city."

"No you don't," Charlie says. "He's not your boyfriend. He never even called you back."

Hazel scowls at him. "Shut up, Charlie. You're such a punk!"

Charlie takes his cue then, to shut up, and to leave. Screw it, he thinks, she can fend off her stalker herself. He'll go try to find Natty...


but instead he finds Fiona, waiting for him on the patio with a noogie.

He's torn, between rage and lust - he's never even touched this much skin on his own girlfriend, and here he is, with his head shoved firm into Fiona's hip.


She gives mean noogies! They do hurt, and she does mess up his hair.

"What the hell," he says.


"Oh, you liked it," Fiona says. "I can always tell when they like it. I liked you first, you know, before Natty, that chubby little dork. You liked me first too, didn't you?"

"What are you talking about?"

She comes at him, intent on what she wants - she's beautiful, that much everyone knows, not just cute in the way his little girlfriend is, but built like a woman, and she uses it to her advantage. He wouldn't be alive if he didn't look, for a second.


It's this moment that Hazel finds him, stunned and hypnotized by Fiona's voice, her touch, her womanly curves. This scene looks all wrong, and Hazel feels herself inclined to run off and snitch on him to Natty, but she's just as stunned herself.


Hazel presses herself to the wall and listens.

"I like you, Charlie," Fiona says, taking his hand, sliding her fingers up his wrist. It's not comforting though, instead he imagines claws might spring from her fingertips and sink into his skin. "Why don't you come back with us after this little shindig?"

"I don't think so," he says. "I'm kind of hanging out with Natty right now."

"Sweet little Natty-patty-pie," Fiona says. "How can you even stand her?"

"She's your cousin."

"Doesn't she give you a toothache?"


"No, she doesn't," he says. "Her teeth are perfect." He really likes Natty, and he doesn't want to make her mad, not at her house, not at her own party, and not ever if he can help it.

He wrestles his hand away from Fiona.

"Oh," she says. "I don't think you understand what I mean. Let me show you something."


She lunges forward, lips puckered and eager. Beautiful as Fiona might be, even Charlie has this much sense, even in this jumble of emotions, flattery, attraction, sheer terror. Fiona McCullough is scary, overwhelming even.

"You don't want to hurt her feelings," Fiona says, easing off of him. "It's okay, we'll pick up this conversation some other time."

"You're psycho," he says, finally breaking free of her.


Hazel saw everything. She isn't sure if she should be mad for Natty, or glad. She's just confused, and unsure still. She still thinks Charlie Roseland is a creep, but at least he's not the cheating creep she thought he might be. By the time she finds Natty in the kitchen, all Hazel manages to say is, "Sometimes things aren't what they look like."

"What are you talking about?" Natty says.

She doesn't know how to explain it, that maybe Charlie isn't such a creep, or that maybe Fiona isn't the loving cousin Natty thinks she is. "Oh, I don't know," she says. "Let's go swim."


They come down the stairs and find Fiona is giving Charlie a noogie so horrendous even Hazel has to feel some empathy for the poor boy.

"Wow, she's so mean," Hazel says.

"Yeah," Natty says. "She is."

Fiona ordered her mother to take them home soon after.

The twins wandered back across the street too, at some point - nobody noticed exactly when, since nobody really noticed they were there in the first place.


Isaiah was next to leave. Hazel turned around to find him, yet again, not just standing there but leaning into her, in what looked like an attempt to smell her hair.

"Seriously, dude," she says. "Do I need to call my dad out here? Do I need to get a restraining order?"


After everyone else has gone, Natty tends to her boyfriend's achy noogied muscles, and Hazel tends to her summer glow.


Natty and Hazel don't swim when Charlie gets back into the water. They don't want their hair to get wet, or their suntan lotion to wash off.

But more than that, Hazel feels like she has to say something.


"I don't like Fiona," Hazel says. "I didn't like the way she was looking at your boyfriend."

"You don't like anybody," Natty says. "She's my cousin. She knows I like him. You're just mad he didn't want to date you."

"No I'm not!" Hazel says. "That's not it! I didn't really want to date him, I don't even like him. I can't stand him."

"But why?"


"I just think he's a creep," Hazel says. "He's not nice to anybody."

"He's nice to me," Natty says.

"Well he better always be nice to you."


"I guess there are probably worse creeps out there," Hazel says.

"Like Angelo Shaw?"

"Yeah, like Angelo Shaw," Hazel says.

But what she means to say is, like Fiona McCullough.



*******


(footnotes: Cabe goes to war // Fiona liked Charlie first // Hazel kisses Angelo, meets Isaiah)

notes:
OMG, this update took forEVER to pull out of my ass! I'm sorry if this was the most terrible, scroungy, and unfocused thing you've ever read. I just couldn't seem to get a hold of it for some reason. Too many points of view, not enough substance. Have to put it out there and wash my hands of it. Anyway, moving on...

Do you guys even find these backlinks useful? Or do you remember most of this stuff anyway? I mean, it's totally not an issue for me to find them, I usually know just where they are and I usually read back a bit as a refresher anyway, so that I don't forget anything.

Anyway, in my trend of keeping notes stuff separate from story stuff, I think I'll start putting the backlinks at the end in footnote fashion, rather than linked in the story. That way they'll be less obtrusive in the story, but you'll still have them for reference.

So this is inspired by Fiona's dead-set want to fall in love with Charlie, ever since she met him, even through all the "boyfriends" she's had. She and Charlie have actually grown into a mid-high two-bolts by now (which is where they'll top off), but he's three-bolts with Natty, and Fiona has plenty of three-bolters of her own.

But in the spirit of being true to what they want, letting them be who they'll be, I have to let Fiona take her crack at him, since she's so darn serious about it. After all, ridiculous as it might seem to everyone else, in her mind, she did like him first.

And he actually rejected almost everything, so good boy! But he did accept a date (as well as some low flirts), which is what Hazel saw happening.

But after everything, Fiona never did get that love want though, even though he did accept some flirts. Through all that trouble, and he actually earned a love flag from one of the flirts (I removed it), but she didn't get one, lol! I think she might be soulless!


Isaiah isn't a weirdo, exactly, lol! He kept wanting to ACR "first kiss" with Hazel, but it expired before she finished what she was doing, so he was just left staring at her like a stalker, lol! Too funny! It's like the Sims version of a real life dude trying to kiss a girl, and chickening out, and ending up looking like a doofus instead :)

Then he actually managed to try in the end, but she shot him down! He must have freaked her out pretty good!

Or maybe it's just that poor Hazel is still well hung-up on Angelo, lol! As far as I know, he hasn't thought one thing or another about her since their date. It's for the best, I'm sure! Hopefully she'll forget about him soon.

Read more...

first, part 1

June 2083 - Charlie Roseland and Natalia Deppiesse are 13, Gabby Roseland is 4.


It's summer, finally. Charlie is just hanging out in front of his house, with his sister, doing what kids do on these long, sweaty days, which is waiting for something to happen. Nothing is happening here. He can't even score some free lemonade from his baby sister!

"That'll be a dollar ninety-five," Gabby says. "Just like everybody else."



His mother calls him inside, loud at first, and then as he enters the room, transforming into something mocking and lyrical, "Charlie, phone's for you... it's Natalia."

"Oh my God, Mom," he says, cringing. "Could you be any more lame?"

He waits until both parents are well out of range, so he can talk to Natty about how bored they are, in privacy.


"My parents are making us go to some stupid Lakeshore Days festival," he tells her. "For the new marina."

"I love boats," she says.

"You do?"

"Um, sure."

He feels suddenly nervous. He and Natty spent every day of their sixth and seventh grade year together, and some days after, so he doesn't know why it feels so weird to ask her, "Do you wanna, like, come out with us?"

She says, yes, of course. He knew she would. Even a stupid Lakeshore Days festival is better than being bored.


Charlie is beyond glad she called, because otherwise he'd be stuck here with his parents, and his baby sister, and the human-freaking-statue! They don't even have a boat, but his parents just wish they had one. So they'll stand down by the docks fawning over other people's boats, which is the point of this whole festival. His father often tells him, "The Lake County area has been sorely lacking in good marina space."

"Okay, Dad," Charlie would say. Charlie thinks his dad is a dork, not nearly as cool as Natty's dad.


He'd like to show off his rocket-arm, since Natty sits down to watch. But his sister is only four and he doesn't figure she can catch that well yet. His rocket-arm is not very rocket-like anyway, but he's working on that.

And when she's watching, he can't help but feel all stupid and smiley. She's contagious, with her big smile and perfect teeth.


He doesn't know what to do with these feelings, especially with his little sister around.


Gabby asks her, "Do you want to paint your face with me?"

"Um, okay," she says.

"Good, and you can go first," Gabby says.


Then she turns to her brother. "Charlie?"

"No," he says. "No way!"


Natalia goes first, to show Gabby that this is perfectly safe. Even if she isn't sure. This guy painting faces couldn't have had more face painting experience than a high school art class!

"See, you could do that," Charlie tells his sister as Natty's face goes up in a puff of pink powder.


It isn't quite what anyone expected.



But Natty tries to hold back her disappointment in front of Gabby.

"No worries," she says. "It's totally supposed to look like this!"


Gabby sits down next.

Charlie says to high school art guy, "Screw it up, and I'll smear your face in that paint."


Everyone is pleased, though Charlie wouldn't have minded having an excuse to smear that guy's face in some paint.


"Thanks for doing that," Charlie says, grinning at her. "But you know if you wash it off now, you'll hurt her feelings."

"It's not that funny," Natty says.

"It's pretty funny," he says.


The festival's opening night performance is slow. There's only one single guy rocking out an electric bass solo, and just a few people watching, only three if you don't count Charlie and his family.

Charlie's parents are talking about how the Governor only started the Marina project because she wants to be reelected, but then, of course she did, because Governors always try to pull out some fancy project near the end of their term so they can get reelected.

Charlie isn't much interested in politics, but the new marina isn't bad. In fact, he does wish his parents had a boat of their own to take out onto the lake.


Charlie picks a spot, not too near his family, and they sit down. His dad also told him the story of this house, and why it stood here unoccupied for so long. His dad knows a lot of stories, being a history teacher and all.

"It was built by some dude who wanted to impress his wife," Charlie says. "She was a snob."

"She probably wasn't," Natty says. "Why are you gonna take his side?"

"Dude, it's a story," Charlie says. "So he spent all the money he had on this house, and they lived in it while he was building it for her. He only got about half-way finished, and then she left him. And the house has been empty ever since."


Natty looks at him all starry-eyed. She sighs. "It's kind of romantic."

"Except that it's not, because she left him," he says.

"Well yeah," she says. "It would have been romantic if she hadn't left him."


It's been a couple weeks now that her dad has been gone. He has no idea what that must be like. "You can talk to my dad, if you want," he offers. "I know he's not as cool as your dad, but if you need to talk to a dad about something."

"About what?"

"I don't know, whatever you need to talk to a dad about?"


"Hey, you wanna go somewhere?"

"Where?"

"I don't know," he says. "Somewhere else."

Her hand is right there, just inches from his own fingers as he moves to get up. Their hands even knocked into each other, accidentally, once, while they were talking. But his parents are also right there, and his little sister, so he almost takes her hand, but he doesn't.


They think about exploring the house, but the rooms are mostly empty, and off limits anyway, except for the bathrooms and the tea room. There's no popcorn or cotton candy at this festival, and unfortunately no hot dogs. They'd both kill for a hot dog right now, the good festival kind, served in those paper boats, with a toasted bun, relish, and mustard. They're practically salivating for one!

But instead there's just the tea room, which is airy and formal. Why they call it the tea room is beyond either of their imaginations, because there's no tea served in it. Instead of hot dogs, they settle on salad, and the fancy kind of Jello, with fruit and cream mixed in.

"Do you wanna come over and swim this week?" Natty asks.

"You're not going to invite that Liza girl, are you? I hate her!"

"Why would I invite Liza?"

"I don't know, she's always hanging around Fiona. Is Fiona coming?"

"Do you want Fiona to come?"

"No," he says. "I don't care if Fiona comes."


They aren't very impressed by the festival, and especially aren't very impressed by this statue man. "He doesn't do anything," Natty says. "And we're supposed to tip him?"

"I'm not tipping him," Charlie says. They wait. They examine him a little closer.


And then he moves. Natty shrieks, throwing her hands up. She turns hard and runs.


Charlie chases after her, and she doesn't stop until they're half-way across the field.

"Didn't you know he moved?"

"I knew," she says. "But then I forgot."

They both laugh. He loves her laugh, her contagious and bright smile. He doesn't know what to do with these feelings. He knows what he wants to do, but he never gets it right.


She braces herself as he puts his arm around her, preparing for impact.


Noogied.

He never does it very hard, and he doesn't even mess up her hair anymore. It's more like an excuse to hold her, when what he really wants to do is hug her.


But he's starting to think she would like an actual hug more. "I'm sorry," he says. "I guess your face paint all came off."

"It's all on your shirt," she says.

"I didn't mean to hurt you."

"You didn't," she says, still a little edge in her voice.

He feels stupid, that wasn't what he meant to do at all.


"I'm sorry," he says.

"You already said that."

"It wasn't what I meant to do," he says.

She starts to smile. "Really?"

He reaches his hand behind her back, pulling her lightly toward him. She's still smiling, wide, cheesy, Natty-patty-smile. She doesn't look into his eyes, but that's okay because they both close their eyes then, as he leans in to kiss her, which he's been meaning to do for a very long time.


It lasts exactly eight seconds, which he figures is pretty good for a first kiss, because if it wasn't, she'd probably want to stop at like, two seconds, or something.


Only after they pull apart do they realize that the rain has started, misting down from the sky. His parents are at the car and calling them. So they go, and his hand brushes past hers, accidentally, like the first night they met, almost two years ago, when he spent the long ride back home from Bluewater willing himself to hold her hand. Like so many times in between.

This time, he holds it.


*******


notes: the night they met, in case you feel like being nostalgic ;)

I'm digging back and trying to remember what it's like to be almost fourteen, lol! Such a weird, in-between kind of age. It's probably far beyond my capacities to imagine what it's like to be a fourteen year-old boy, lol, but my husband tells stories.

And I wanted you to meet Charlie's family ;)


Aren't they cute? :) They've been here all along, but they're just non-playable, you know.


Here's a better view of the very modest Lakeshore Marina (just one dock, lol!), and the Marina House which is a community lot. There is a community lot in front of the boardwalk part, so all the grassy area is walkable. Also, as part of Madison's big push for reelection (!!!), there are new bus stops throughout the city. I actually have a post coming up with more neighborhood pictures after I finish the next part of this.

The house story is a true story, by the way. The guy was Cody Bradshaw, Bella's dad, with his first wife, who left him very unceremoniously while he was still having this house built for her. It was too big and ridiculous for any of my other families to want, even as pretty as it was, so I had Madison turn it into something of a historical spot :)

I hate that there's no cheat to raise business levels faster! The lot was almost completely empty apart from the few people I teleported in. So I just imagined all the people were down at the docks, looking at boats, lol!

I had the same problem with my last summer festival - you have to get the rank up to level five or six before the lot starts to fill up in any capacity, and like hell if I'm going to play a temporary business that long. The only cheat I know of is on Pescado's Business Controller, but even that takes forever building up all those stars. I guess I'll just have to teleport in any people I want, which kind of sucks, because I like it being random.

Whoa, rant, lol! Part 2 to follow...

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hey, dad...

June 2083 - Ryanne Phoenix is 12, Hayden is 33.


"Hey, Dad," Ryanne says, stopping her father in the living room. "Summer and Tyler, you wanna know why they were really fighting?" She doesn't wait for him to ask, why? "He had sex with another girl."

"What?" Hayden says. "Who - where did you hear that?"

"Oh..." She stammers a bit as she realizes she can't exactly admit that she had her ear pressed to the window that morning.



"You know that's none of your business," he says.

"Yeah," she says. "I guess. Hey, Dad?"

"Hey what?"

"Do we have any of that insurance money left?"

"No," he says. "We bought the house with it. Why?"

"Oh, cause I kind of want a cell phone."


He laughs. "I think I can manage to buy you a cell phone."

"Okay," she says. "Hey, Dad?"

"What?"

"Do you remember when Mom died?"


He doesn't speak at first. Her eyes wander, to some vague place on the floor. "Yeah," he says. "I do."

"That kind of sucked," she says.


"Hey, Dad?" she says, springing back to life. "You wanna come play catch?"


*******


notes: I didn't know what to do with this one after everything that happened with my dad. As the oddness of the universe would have it, this was actually the last thing I shot and wrote, in its entirety, just a day or so before I got The Call.

So it took some time before I was able to come back to it, and I think I wanted to slot it into June for the story anyway. And i
t's here, it's written, you might as well read it, right?

These Phoenix girls are very dear to my heart.


And lol, Ryanne, and the bizarre things this girl talks about! There were speech bubbles for all of it, but I preferred to recreate the story pictures for more creative freedom. She said every bit of that though, lol!

Weird girl!

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sittin' in a tree, k-i-s-s-i-n-g

A guide to different height kissing:


Height differences between lovers can add a lot of realistic value to a story, but the in-game standing kissing animations can get pretty wonky. This is always one of the first complaints people bring up when they consider using different heights in their game, and was also my biggest complaint until I found some work-arounds. In these romantically-inclined stories, you know how we need to get our kiss on around here!

So nobody specifically asked me to do this one, but I've been using different heights in my game for some time now, and discovered a few tricks, so I thought I would share them.

Dallas and Lucy are happy to oblige us in the demonstration of these techniques ;)



First you need your toolbox. Dallas is sitting on the shiftable OMSP, and Lucy is showing off the Freezer Clock. I can't say enough good things about these two mods, and if you don't have these things in your game, I highly recommend you run out and grab them ASAP!!! If you stage story shots in even the smallest capacity (or if you simply want to amuse yourself with these techniques), these tools will be useful to you in so many ways!

Some other mods you'll want for this session: Look at Player (Fourth-Wall), and Decorgal's Custom Modeling Poses with Face Overlays, which is the only handy-dandy pose box I use in my game.

And your cheat dictionary:

moveobjects on
boolprop snapObjectsToGrid false
boolprop allow45DegreeAngleOfRotation true
plumbbobtoggle off
showheadlines off


First we'll demonstrate that he is actually taller than she is, as you can see here.

And LOL, looks like Dakota's been at that trash can again! :)

(and a quick disclaimer, since I'm using a teen and YA for this demonstration: for anyone wandering through for this entry, let's just explain that there's nothing shady going on here. Lucy is seventeen, Dallas is nineteen, and they've been best friends for five years, dating for about three years, and are just about the sweetest couple you ever met.

I remember in high school we used to think it was so funny that we were sixteen and our boyfriends had all just turned eighteen, and we were like, "He he, you're kissing a minor!" Come to find out that the age of consent is 16 anyway and we could have been kissing an old man and it wouldn't have mattered. But ick, anyway, on the old man!

The author, residents, and fans of Lakeside Heights do not condone grown adults kissing minors!)


The OMSP trick (kiss = romantic): this one is simple. I'll just start the kiss as usual, and stop wherever I like. As you can see, they don't actually line up.


So I'll grab my OMSP (you might have to try out a few different sizes before you get the right one), stick her on it, and line them up.

(Remember to make sure you pop back out into live mode for a split second to make their hands and arms snap back into place. Get aquainted with your ` key for split second unpause/pausing.)

So this one is easy, but this doesn't hold the illusion that he is actually taller than she is, since they're kissing straight on at the same level. But again, it's easy, and pretty convenient.


Lucy says, "Yay, I get to do it again?"

Again, and again, and again, Lucy.

See, told you she was excited. This got old after about a dozen times, and yes, she did this each and every time!


The freezer clock trick (kiss = makeout): This one is a little trickier, but quite fun to play around with. It uses the in-game animations, but out of sync by use of the Freezer Clock.

This is the makeout kiss, at one of its more calm points. You'll focus on one or the other to start. I've chosen Dallas to start here. So I watch very carefully as the animation plays through, and at the point Dallas's head is pointed the most downward, I pause the game and freeze him.


Then I unpause the game (intermittently, using the ` key), watching very carefully as Lucy continues through the animation. There will be single micro-points where her head is tilted upward. I grab one of those, and then stick them back together.

If you catch the right moments, his head will tilt down, and hers up, lips aligned, and I don't even need to stick her on a OMSP. I like this one better because it holds the illusion that he's taller than her, since she's kissing upward to meet him.

You may need to watch the animation play through once or twice first, so you know when to snag the right angle.


The camera angle trick: this one's a quick-fix, and probably the simplest of all - the point being that they aren't actually lined up, but you use one of your Sims' hair or bodies to obscure the kiss. Which means it also doesn't show much, so it's useful when you're feeling plain old lazy.


This is also useful for non-significant kisses, like when a couple has been together for a long time, or the actual kiss is not really the focus of the scene. Let your readers imagine the kiss instead.


The photoshopped trick (kiss = tender): this tip requires a very basic knowledge of photo manipulation using layers. You can manipulate the photo to artificially tilt his head down (or hers up).


I've selected a large area around his head with the lasso tool. This is important because I'll want that large space of sky behind his head for later.

I'll copy and paste this into a new layer.

edit > transform > rotate.

Then I delete where needed, carefully along his jawline, and then in front of his face, keeping the large space of sky behind his head. This sky will cover the place where his old head was in the first layer.

Then I flatten the layers and use the clone tool to retouch anything I need to.


In the end, it looks like this.

I could have moved them in a smidge closer in the original picture, so that their lips would end up touching, but you know, I didn't, lol!

The manufactured trick: This uses either one half of a kissing animation, or entirely manufactured poses. These are actually not too hard to get a good combination with, since you can direct their heads with your "look at player" and freeze them with the Freezer Clock.

These are my favorite kind of kisses when I have the time to do them. They're completely unique, and each particular scene you create has never been done before in your game or anyone elses. And note (!), you will probably never be able to recreate it again, so don't unpause that game until you get your shot, lol! Take five shots! From thirteen different angles each!!!


I'll show the half-manufactured first: Lucy is doing the tender kiss animation, frozen, then Dallas is manufactured with poses and face overlays. I won't go through the mashup I used, since there are so many overlayed on top of each other, and honestly, I wouldn't even remember. So he is using about five or six random poses, three face overlays, and "look at player" pointed down toward her.

I basically just stand him next to her, selecting through poses until something looks right, moving his head last of all.


Here's another half manufactured. This time Lucy is manufactured, and Dallas is using flirt > hit on.


Then this one has both Sims fully manufactured, several random poses and face overlays.


Another fully manufactured.

I find the manufactured kisses tend to look more true-to-life than the in-game animations, which are quite extreme and over-animated. When real people kiss, they're rarely as animated as Sims are in-game.

Other workarounds:

-sitting: in my experience, most sitting kissing animations look okay between different heights.

-the almost-kiss: just take your shot either before the kiss happens, or after. Maybe useful if you want to create a lot of sexual tension, but lol, could also be very frustrating or unsatisfying depending on the story. Sometimes you just need to see "the money shot," you know, lol!

-the fake-out: a lot of flirt animations can be paused at different points and moved around to convey intimate moments. It's not a kiss, but looks like it could be one.


So that was fun! And probably not just fun for them ;)

I encourage you to try these out. Don't be limited by your game, get creative! And if you do try some of these out, I'd love to see what you come up with!

(This last photo is photoshopped too, by the way. His head is tilted down.)

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graduation, extras

*** graduation extras ***


I think I like posting the outtakes separately when they're as plentiful as this. I wish I'd been doing it all along, so I could have my concise and well-planned story posts, and then my long-winded and rambling gameplay posts... but you know, I didn't. Ah, well ;)



I had no use for this one, but lol! And just after Summer saved Lucy's ass!


So it seems this wouldn't be the first time Dallas has a fangirl, lol! Hopefully she won't turn out to be a crazy stalkerish fangirl like Vicky! But Ryanne has quite the crush on Dallas! What is it about this boy that he has all the ladies falling over him?

Lakeside Heights girls like a guy with a brain! And my, my, Dallas, what an impressive brain you have there, lol!

But she's romance, and he's knowledge. He doesn't seem like he'd be her type, if she had a type, but 83 attraction is borderline three-bolts! He's the highest attraction she's seen yet - granted, she is only twelve, so she hasn't seen much.

I just think she's funny. Doesn't everybody have a crush on their big sister's friends?


I don't know what kind of beef Beau had with Dallas's mom, but everyone was pretty upset about it, mostly Dallas. He's like, "Dude, don't fight with my mom!"


The grown-ups were being adorable too!


And you know a perfectly good hot tub can't go unattended! Today's steamy-hot couple hogging the hot tub is Hayden and Piper!


And since we're talking about Piper, while I was in their house buying Summer's graduation dress, Piper got demoted, again!!! The poor girl is so bad at her job! She just wants to get married and have a bunch of babies! She's all about having a baby, but then, she has been since before she even met Hayden! I think she's hoping if she gets demoted enough, Hayden will just knock her up and tell her not to bother, lol! :)


Love Piper! :)


There were several orientation pictures I had to choose from. Like this one.

Dallas is probably thinking, Please, somebody take the darts away from that girl!


Most of them had Vicky scowling at one person or another.

The funny thing about this graduation post was that, unlike others I've done recently, this one was almost entirely inspired by gameplay tidbits!

Summer rolled a want to apologize to Vicky (Lord knows why? LOL!), even though we collectively decided that would be unecessary.

Lucy is always afraid of being caught alone with Vicky = me having to cancel out bitchslaps from Vicky every five seconds! (Vicky has six nice points, by the way, she's not supposed to be so angry!) Poor Lucy didn't know what she was getting herself into, lol! I swear I can't leave the poor girl unprotected for a second!

I had to instigate the fight between Summer and Vicky, but Summer loved it!

And if y'all think I'm kidding about Vicky still being hung up on Dallas...


They haven't even had a proper conversation since the break-up, so it's not like he's leading her on or anything. They even still have negative chemistry because she hates him, but this girl will not let go!

Maybe I need to send her to see Mariah for some therapy?

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